Showing posts with label staccato & legato. Show all posts
Showing posts with label staccato & legato. Show all posts

Friday, April 18, 2014

Part II. Dancing, Singing & Drawing Legato and Staccato


Hello everyone! Ms. Brigid here, fromMerit School of Music  in Chicago, IL. Thank you for joining me! This post takes up where my March 18, 2014 entry, Part I. From Hush Little Baby to Yo-Yo Ma - Using Books, Apps and YouTube Videos to Introduce Legato and Staccato, left off.

A great deal of territory was covered in the first post:

·      Using the lullaby Hush Little Baby with Marla Frazee’s book of the same name to introduce staccato and legato
·      Employing comparative recordings and guided listening to build exposure to different styles, sounds and artists
·      Introducing  real-life musicians Yo-Yo Ma & Bobby McFerrin playing the song through a YouTube video through the Watchlater app

Meet the Orchestra 

The musical collaboration between Bobby McFerrin and Yo-Yo Ma invariably delights my students, and class discussion leads naturally to questions about the instruments played. Of course, there's an app for that, Meet the Orchestra.

As apps go, Meet the Orchestra is direct and no nonsense. It’s also a fine app for “guess the instrument,”  but you won’t have to guess which instrument I’m focusing on. It’s the cello, of course, in honor of Yo-Yo Ma!


After an orchestra family is selected, each instrument in the section is introduced by name. When a specific instrument is selected, the other members of the family rush off the stage and a solo starts. The title and composer’s name scroll under “now playing,” and general information about the instrument is included.


Excerpts are generous, nicely curated, and can be changed by selecting the notes on the staff. If there are five notes, the instrument has five separate listening examples. My kiddos delight in selecting what comes next.

Questions for guided listening: Was the piece (mostly) high or low? Fast or slow? Piano or Forte? Legato or Staccato? Answers, of course, can be none of the above!


Cello excerpts include:
·      Bach – Bouree frm Suite No.3 in C for unaccompanied cello, BWV1009
·      Brahms – Cello Sonata No.1 in e, Op38
·      Tchaikovsky – Symphony No.4 in f, Op.36
·      Impromptu
·      Saint-Saëns – The Swan from The Carnival of the Animals

Depending on time, age group and intention, other questions might be: How did it make you feel? What kind of brain pictures did you get?

Shall We Dance?
The answer is always “Yes!”

Music Masters II Dancers!

There is a wealth of repertoire that lends itself to dancing legato and staccato. Among my top choices are a handful of movements, or pieces, from Camille Saint-Saëns Carnival of the Animals. The compositions are short, engaging (most under two minutes), and lovely to move to. Hens & Roosters and Fossils lend themselves to staccato, while The Swan luxuriously exudes legato. Kangaroos and Aquarium have a bit of both.*

Listen. Encourage students to think what animal(s) the composer was writing about.

Look. Multiple book/CD versions of Carnival of the Animals are available. My favorite is the 1999 edition with commentary by Barrie C. Turner and whimsical, colorful illustrations by Sue Williams.  


Move. Encourage students to move freely in response to the movement. Dance streamers (directions below) can heighten the exploration.

Music Masters II Dancer!
Extend. Find actual or animated performances of individual pieces or the whole suite on YouTube. Download through the Watchlater app, and share with your class! The options are thrilling.

A very specific kind of YouTube has emerged where some dedicated soul has downloaded the score and synchronized it to the music. Fascnating.  



There’s even a Bugs and Daffy’s “Carnival of the Animals” from 1976, which combines said characters, a young Michael Tilsen Thomas as conductor, and Ogden Nash lyrics. The orchestra performances are thrilling, but stay away if you’re not a Daffy Duck fan!


Challenge. My kiddos and families always love a Pre-K or Kindergarten challenge. Hand out dance streamers and do preliminary warmups using legato and staccato movements (jump, sway, bounce, twirl, etc). Tell your class, , “I’m going to switch from playing legato to staccato music, and not tell you when I do. Show me, through your movements, which one it is. Freeze when the music stops.”

Dance Streamers - My own invention!  See directions below.

NOTE
: This goes without saying,, but I’ll say it anyhow. Remind those who need reminding that this is not the opportunity to careen wildly or shake the dance streamers in anyone’s face. Although free movement is encouraged, there are no trips to the hospital in music class!

Here’s where the iPad  shines yet again. The whole suite is in my iTunes, and the songs can be instantly changed with the tap of the finger. There’s no fussing with remotes or manually changing cuts on the CD player.  PIC


Shall We Sing?
That’s what we do!

The American heritage singing game, Jump Josie, beautifully illustrates the difference between legato and staccato and is fun to sing and play. What’s not to like?

Teach the song: Listen. Ask children to listen while you sing. Rock gently side to side (legato) during the first part, and chap hands in the second (staccato).


 Look: Sing the song again, this time using  your iPad and the KidsDoodle or a favorite whiteboard app. Drawing smooth and connected lines during the first section, and short, separate lines on the second. A classroom whiteboard or piece of paper also works.

Rinse and Repeat! Ask children to stand in a circle and echo the song, phrase by phrase. The second section can dispense with echoing. Slow the song down for the legato end “Oh, my Susan Brown.”

Play. There are many ways to play this game. Here is one:
·      Two students go into the circle and hold hands, facing each other. Hands are swung side to side during the first, or legato, section.
·      Dancers in the outside ring sway gently side to side while singing.
·      The staccato, or second section, calls for a change: The dancers inside the ring are the designated jumpers, and the kiddos in the outside ring are the clappers.
·      At the end of the song, ask the two in the middle to choose new partners from the outside ring. Repeat with four students, or “four in the middle.”
·      Eventually, there will be “all in the middle.” Change partners and repeat.
Extend.
·      Use colors, patterns, clothing, etc., to call dancers into the middle, e.g., “stripes in the middles,” “red in the middle,” glasses in the middle,” and my favorite, “hair in the middle.” Silly is good.
·      Count how many dancers are in the middle. Count by ones, then do it again with two’s.

Shall We Draw?
Of course!
·      Before starting, place paper and markers on tables. Some classrooms have individual student mini-whiteboards, which also works.
·      Sing Jump Josie, drawing on your iPad, paper or whiteboard, making sure to differentiate between legato and staccato marks.
·      Tell students, “We’re going to be artists and draw legato and staccato.
            Let’s practice by singing the song while “air drawing.”
·      As a group, sing Jump Josie and “air draw” legato and staccato.

Fantastic artists! 

·      Ask students to move to their tables, pick up their marker, and “air draw” legato and staccato before touching the paper.
·      Draw while singing the song. Request that the artists sign their work, and put their markers down.
·    Document drawings with the Camera app on your iPad!

Let’s Go On a Gallery Walk!
It’s time for the artists to go on a Gallery Walk! Ask student to walk around the room and look at the drawings of other artists. The kiddos are unfailingly positive about their friends’ work, making this a fun, cumulative celebration.

And Finally…Yo-Yo Ma
The Swan



Bits and Pieces

*You may be wondering why The Aviary isn’t included in the Shall We Dance? staccato column. It’s simply because the accelerated tempo makes it hard to move to. For my purposes, it works best as a listening example.

**Dance Streamers – I invented these dance streamers years ago, finally settling upon flagging tape as the perfect medium due to their softness and the rustling sound they make when fluttering. Cut 5’ lengths of flagging tape, then chose five streamers and tie them at the halfway point on to a flexible plastic bracelet. Use a double knot. Flagging tape is readily available at larger hardware stores. Bracelets can usually be purchased at a party supply store. Dance streamers can be mono or multi-colored, depending on your preference.

And in the end...how did I use my iPad in the activities and blog creation, anyhow?  
Meet the Orchestra app, YouTube video downloads via Watchlater app, music player for listening comparatives and legato and staccato dance challenge, KidsDoodle  legato and staccato drawing demonstration,Camera for taking pictures of kiddos and dance streamers, Screenshots of book cover, app icons, and more!
             
I am continually inspired by the Children’s Music Network (CMN) community. an international group of socially conscious musicians, educators, librarians, families, songwriters and good people, who “celebrate the positive power of music in the lives of children by sharing songs, exchanging ideas, and creating community.” Please visit CMN, and find a gathering in your region. 

©2014 Brigid Finucane  * 847-213-0713 * gardengoddess1@comcast.net
http://prekandksharing.blogspot.com 
http://brigidfinucane.blogspot.com



Tuesday, March 18, 2014

Part I. From "Hush, Little Baby" to Yo-Yo Ma - Using Books, Apps and YouTube Videos to Introduce Legato and Staccato


Thank you, Edith Ortigoza, for this great drawing!
Hello everyone! Ms. Brigid here, from Merit School of Music  in Chicago, IL. Though there is still snow in the ground in the Chicago area (will it ever melt?), spring is coming. Days are longer, and classroom energy is surging.

Spring also brings a heightened sense of time. In the autumn, the year stretches out forever. Everything is possible and doable. Suddenly, there are only a dozen more class sessions until the year’s end, and every moment, song or activity has to do double-duty!

Children delight in comparatives, and music educators constantly employ them as departure points. Susan Salidor, all around musical treasure and fellow Children’s Music Network member, rightly states, “…Early childhood music is all about high and low, fast and slow, and soft and loud.”

My kiddos are experts in the first two concepts, and have just finished internalizing the last –  piano (soft) and forte (loud).

 The youngest three year olds in class can tell anyone who cares to ask that these words are in “Italian, the language of music!” Students are able to sing and play instruments and f, and expressively move to and (usually) identify a sound or piece of music as either forte or piano. It’s definitely time to move on to legato (smooth and connected) and staccato (short and separate).  Are you ready?  Grab your iPad and let’s go!

Part II - Tune in on April 18 to learn how to make flashcards on the iPad!

Please note: An iPad is not necessary for these activities – but it helps! The ease and flow of ideas presented below is made more possible by the use of an iPad. This amazing device switches from a music player to a whiteboard to a picture card/flashcard creator to an instruments of the orchestra app. Accessed YouTube videos are extraordinary portals to musical and cultural literacy. Louis Armstrong singing It’s a Wonderful World? Dave Brubeck playing Take Five? Pete Seeger whistling and singing Build a Road of Peace while playing his banjo? Done! Whatever you dream or want to present, you (probably) can through YouTube videos or apps!

Prepare – Present – Practice! 

Explore lullabies. Ask children if they know what a lullaby is, and if anyone has ever sung a lullaby to them.  This is an opportunity for many wonderful stories to be shared by your children and /or families.
Discuss how to sing a lullaby. Do we sing a lullaby piano (soft) or forte (loud)?
Compare and contrast. What would happen if you sung a lullaby forte (loudly)? Try it out. This connects with previous learning – and is also great fun!
Introduce Hush Little Baby. Since this is the most well known American lullaby (!), many of the children and adults in the classroom have some familiarity and will sing right away.
If that mockingbird don't sing, Papa's going to buy you a diamond ring.
If that diamond ring turns brass, Papa's going to buy you a looking glass...

I start by asking everyone to echo my singing line by line. As soon as the class is familiar with the song’s pattern, I default to rhythmically speaking, or chanting, the next phrase. This cues the rhyme, then we all sing the verse together. Teaching tip: Gently rock side to side to establish the beat while singing the song.
Sing the song with a songbook. Marla Frazee’s version is recommended.
Illustrations ©1999 by Marla Frazee
·      Sing the book to the children. Model singing in a legato style. 
·      Ask students, What did you notice about my voice when I was singing?
·      Tell children, When notes are smooth and connected, it is called legato.  On sheet music, legato looks like a black arc or rainbow. Ask students to make one with their hands. NOTE: Depending on your class, include or omit information about sheet music.
·      Ask children to echo the first few pages of Hush, Little Baby, singing legato.
·      Tell students you’re going to sing another way, with notes that are short and separate. Model singing the next page staccato.  Ask children to echo a few pages singing staccato. Tell children, When notes are short and separate, it is called staccato. Staccato looks like a little dot underneath a note. Ask students to make staccato dots in the air with their hands.
·      Ask children what language staccato/legato is in. (Italian, the language of music!)
·      Discuss with children, “Which way do you think the book should be sung?  Which way do you like it better?”
·      Sing the song, drawing legato rainbows in the air for each phrase.

Relish the book illustrations.  
Illustrations ©1999 by Marla Frazee
Slowly look at the first few pages of the book, and ask the children what is happening in the illustrations. For many of the children, it’s a familiar story: There's a new baby in the house, and the parents are paying more attention to the baby than to the big sister. Big sister gets mad, and rocks the cradle roughly.  The baby wakes up, and starts crying - not stopping until the end of the book!
Teaching tip: I live in Illinois, and tell the children that a hundred years ago, many people in our state lived in log cabins. Illustrations are richly detailed, enough so, that compare/contrast opportunities abound. Another bonus: Text is written in a large, clear font on the bottom of the pages.

Explore vocabulary. The song lyrics are full of interesting vocabulary. What is a looking glass* and why should a ring turn brass?  Is your dog named Rover? Does a mocking bird live in our parks and wild areas? Not in Chicago! Though the book's illustrations provide useful visual cues, I’ve found that picture cards can further strengthen understanding. I now make them for all the rhyming words in the song. *NOTE: Magnifiers are commonly present in early childhood classroom, and children often say a looking glass is a magnifier.

   Hush, little baby, don't say a ...                                                                   Papa' s gonna buy you a ...
Part II -  Tune in April 18 to learn how to make picture cards on the iPad!

Since I see my classes only once a week, concepts are explored and reinforced over multiple sessions.  Once my students are comfortable with singing Hush Little Baby, we listen to other versions of the song, both vocal and instrumental, to encourage dialogue and provide exposure to different styles, sounds and artists. How many recordings do we listen to each session?  Just a few, so our listening stays focused, then we  compare/contrast each one to the way we sing the song in class.



Questions for guided listening: What instruments did you hear? 
Was anyone singing? 
Who? (Woman, man, child, group) Was the music fast or slow? 
How did it make you feel?
What kind of brain pictures did you get?






Favorites comparative listening examples for Hush Little Baby: *
*CD titles are linked to sites where you can listen to song excerpts.

1) Michael Silverman – piano                                             Canon in D
2) Doug Walker – steel drums                                          CaribbeanKids Collection, V.1
3) Marcy Marxer –voice & guitar, minor                      Jump Children
4) Karen Banks-Lubicz – voice & guitar, minor         Karen for Kids  
5) Karen Banks-Lubicz – voice & guitar, major         Wiggleworms Love You-
6) CD and Book – Children’s Choir                                  Sing Through the Day
7) Kathy Reid Naiman – voice & guitar, major          Zoom Zoom Cuddle and Croon
8) Hush Little Baby – strings, voice.                                Hush
            Yo-Yo Ma & Bobby McFerrin

Would You Like to Meet Yo-Yo Ma and Bobby McFerrin?
I save the Yo-Yo Ma and Bobby McFerrin recording (#8) for last.  After playing an excerpt, I ask, “Would you like to meet the musicians you’re listening to?” “Yes!” is always the answer, and YouTube and the Watchlater app make it happen.

WatchLater  is a video player and downloader, useful when Internet connectivity is an issue. Even if you have Wi-Fi and YouTube access at your school, this is a timesaver.  No more searching or fussing with ads and download times! The video is always at your fingertips, ready to play.


Getting starting: Download Watchlater, or a similar video-downloading appWatchlater requires that you create an account and password.
1.    Open the app. Press on “+ Add Video.”
2.   In the search bubble, type what you’re looking for. Inserting the URL also works.
3.   A video thumbnail appears, with an arrow bubble pointing downwards.
4.   Press the arrow bubble. The video will start downloading.
5.   When the video has completed downloading, a “√” will appear in the bubble, and the word “saved” will appear underneath.

6.   Notice the pencil symbol at the top. 
7.   When it is selected, a small circle appears next to each saved video.
8.   Select videos to delete, move or share. 
     9.  Voila! Yo-Yo Ma and Bobby McFerrin!

Meet the Orchestra 
The musical collaboration between Bobby McFerrin and Yo-Yo Ma invariably delights my students, and class discussion leads naturally to questions about the instruments played, in this case, the String Family of the Orchestra. Of course, there's an app for that, and it will be the first thing we look at in Part II!  

Join me on April 18 for Part II - Staccato & Legato. An American play party game, St. Saens, and a magnificent orchestra app will be part of the fun.  Until then, happy singing!


And in the end...how did I use the iPads in the activities and blog creation, anyhow?  
Created flashcards and picture cards, music player for listening comparatives, whiteboard demonstration - legato and staccato, YouTube video download via the Watchlater app, Screenshots of CD covers and app icons, and more!
             
I am continually inspired by the Children’s Music Network (CMN) community. an international group of socially conscious musicians, educators, librarians, families, songwriters and good people, who “celebrate the positive power of music in the lives of children by sharing songs, exchanging ideas, and creating community.” Please visit CMN, and find a gathering in your region. 

©2014 Brigid Finucane  * 847-213-0713 * gardengoddess1@comcast.net
http://prekandksharing.blogspot.com 
http://brigidfinucane.blogspot.com

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